Stephen Michell

Stephen Michell is a freelance writer and editor based out of Toronto. His writing has appeared in The Good Men Project, as well as in the Exile Editions speculative fiction anthology Those Who Make Us, with his story “As Worlds Collide.” He has also written many entertainment reviews for Step On Magazine.

Find Stephen Michell on:
The Official Stephen Michell Website

Interviews/Guest Posts


“. . . Michell subtly upends expectations with a genuinely insightful examination of the essence of good and evil. By the novel’s end, Michell delivers an invigorating chase story, a suspenseful horror-action hybrid with memorably warped characters, and terrific B-movie cinematic flair.”
Publishers Weekly

“You think you know where Only the Devil Is Here is going . . . and then it goes somewhere else. Super-creepy northern gothic with terrific pace and scares.”
—Andrew Pyper, author of The Only Child and The Demonologist

“I burnt through Only the Devil Is Here in one fevered night. Stephen Michell is the real, raw deal: a fierce young writer with chops and heart.”
—Nick Cutter, bestselling author of Little Heaven, The Troop, and The Acolyte

Only The Devil Is Here is a gripping, cinematic supernatural thriller, shot through with unsettling imagery and startling insights into the nature of good and evil. Suspenseful, scary, and unexpectedly moving, it’s a wild ride from start to finish.”
—David Demchuk, Giller-longlisted author of The Bone Mother

“An outstanding literary horror debut, the lean, muscular prose of which barely contains the bursting, profoundly human heart of the novel. Only The Devil Is Here is the work of a natural storyteller at the start of what will doubtless be a very long, very promising career.”
—Michael Rowe, Shirley Jackson Award-nominated author of Enter, Night, Wild Fell, and October

“With Only The Devil Is Here, Stephen Michell announces himself as a new and powerful presence on the literary horror scene. This is curt, violent, poetic storytelling, a Cormac McCarthyesque journey from darkness into even deeper darkness, suffused from moment one on with gothic nighttime awe and terror yet also shot through with the slimmest threads of hope—intimations of numinosity, if not of salvation. For all you probably won’t like where it takes you, it’s just so damn hard to turn away.”
—Gemma Files, Shirley Jackson Award-winning author of Experimental Film