Michael Rowe was born in Ottawa in 1962 and has lived in Beirut, Havana, Geneva, and Paris. An award-winning journalist, and literary nonfiction writer, he is the author of Writing Below the Belt, a critically acclaimed study of censorship, erotica and popular culture, as well as the essay collections Looking for Brothers and Other Men’s Sons. His essays, articles, and reviews have appeared in the Globe & Mail, National Post, The Advocate, and The Huffington Post, as well as CFQ, The Scream Factory, All-Hallows, among many others. For 17 years he was the first-tier Canadian correspondent for Fangoria. He has won the Lambda Literary Award, the Randy Shilts Award, and the Spectrum Award, and has been a finalist for the National Magazine Award, the Associated Church Press Award, and the International Horror Guild Award. As the creator and editor of the critically acclaimed horror anthologies Queer Fear and Queer Fear 2, he was hailed by Clive Barker in 2002 as having “changed forever the shape of horror fiction.” He is married and lives in Toronto. Enter, Night was his first novel. His second, Wild Fell, was published in December 2013 by ChiZine Publications.
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“[Wild Fell is a] superb ghost story that evokes terrors both ancient and modern, and delivers us to a place of profound fear.”
“[A] major new talent. Michael Rowe is now on my must-read list.”
“[Wild Fell] by Canadian author Michael Rowe fulfills the Hobbesian ideal of a haunted house novel: nasty, brutish and short. Also, elegant. With more than a little meta-fictional self-awareness—another trope of the haunted house novel post-1820, when the genre was already centuries old—Rowe tells the story of damaged ingénue Jameson Browning, who purchases the titular mansion on a lake-locked outcropping called Blackmore Island after an accident which puts him in possession of a sizable cash settlement. The ghosts are also real in Rowe, this time in the visage of Rosa Blackmore, a spectral teenager who makes known her presence in grim, strobic flashes around the estate. And yet, as in all the best haunted house stories, the specter in Wild Fell is more than just that; it’s a powerful human emotion made flesh—or un-flesh, as the case may be. While over it all loom the spires of Wild Fell: dwelt in by Jameson, dwelling in him.”
“Michael Rowe writes like a storyteller, so seamlessly that the words disappear under your skin.”
—Susie Moloney for CBC Manitoba