In the end, the zombie apocalypse was nothing more than a waste disposal problem. Burn them in giant ovens? Bad optics. Bury them in landfill sites? The first attempt created acres of twitching, roiling mud. The acceptable answer is to jettison the millions of immortal automatons into orbit. Soon Earth’s near space is a mesh of bodies interfering with the sunlight and having an effect on our minds that we never saw coming. aggressive hypochondria, rampant depressive disorders, irresistible suicidal thought—resulting in teenage suicide cults, who want nothing more than to orbit the Earth as living dead. Life on Earth has slowly become not worth living. and death is no longer an escape.
Reviews of The n-Body Problem:
Burgess is an artist of great imagination, talent, focus and yes, grotesquerie, a 21st century master of the grand guignol, a Hieronymous Bosch and a Goya of prose, who finds in playing with the zombie genre a proper showcase for what he can do.
He can do a lot.
Now I think I need a lie down.
Tony Burgess’s first novel, The Hellmouths of Bewdley received universal critical praise and hailed the arrival of Canada’s “splatter punk Stephen King.” He was shortlisted for the Trillium award for his novel, Idaho Winter. He is also the author of the infamous zombie epic, Pontypool Changes Everything, which was named Best Book of 1998 by Now Magazine (made into the film Pontypool). His story collection, Fiction for Lovers won the Relit Prize for best Canadian short fiction. His previous novel with CZP, People Live Still in Cashtown Corners is currently being made into a film by Foresight Features and Bruce McDonald.