. . .Chi-Zine Publications is the best publisher in the business. Every book published by the company is top-notch fiction that is unmatched by any other publisher . . .
The graphic artwork provided by Chris Roberts I found wonderful, and wonderfully complementary to the stories. ChiZine are once again to be congratulated on their innovative and inspirational approach to publishing fiction.
I have been consistently impressed by the books I’ve seen from upstart Toronto-based publisher CZP. Their playlist has developed into a sort of dark buffet of things you don’t imagine would get much airplay anywhere else—at least, not in full novel form. Thoughtful, convoluted works that push at the boundaries of genre and sometimes even literature.
[Derryl Murphy's Napier's Bones], produced by Canadian specialty press ChiZine, is a smart and beautiful little package with striking, subtle use of embossing and type-design that makes it a fine artifact in its own right.
. . . ChiZine has, several times. I've said it before in these posts, and I'll say it again, there is no publisher out there that comes close to touching the heights of genre fiction that ChiZine is putting out. Tim Lebbon, Robert J. Wiersema, Lavie Tidhar, Craig Davidson, Douglas Smith, David Nickle, Tony Burgess - if you haven't yet discovered ChiZine, I envy you the journey I am now ordering you to undertake.
And additional kudos go out to ChiZine Publications. I’ve reviewed almost a dozen of their releases over the last few years (The World More Full of Weeping by Robert J. Wiersma, The Door to Lost Pages by Claude Lalumière, The Thief of Broken Toys by Tim Lebbon, etc.) and have not been disappointed once. In fact, every single release has been nothing short of spectacular. Readers in search of a virtual cache of dark literary speculative fiction need look no farther than this outstanding small publisher.
The Canadian independent publishing scene has seen incredible growth in a very short time. In recent years, numerous small presses have risen from the earth all across this country, with mission statements and catalogues that at once differentiate their aims from those of the larger publishing houses and seek to offer products of a truly unique fashion. Some offer a slice of Canadiana that would struggle to find a market beyond our borders, while others prefer to pay tribute to gutsy, sometimes uncomfortable, always captivating genre fiction, the likes of which are all too seldom seen amongst the blockbusters and New York Times bestsellers that dominate the shelf space at your local Chapters, Indigo, Borders or Barnes and Noble. Toronto’s ChiZine Publications (CZP) is the latter.
I think ChiZine is one of the best presses out there today. I'm continually amazed at the quality of (not only) the stories I've read but also of the books themselves.
Right across from the Black Gate table (at the World Fantasy Convention, 2010) were the friendly folks of ChiZine Publications, with hands-down the most handsome and impressive collection of new releases at the con. I found myself sneaking over to their booth every chance I got, returning with a volume or two each time. Eventually I purchased over half a dozen and only now, six weeks later, am I truly beginning to realize what treasures I brought home... (O)ccasionally I'm reminded that just because I'm a publisher, who reads fantasy primarily for business and hardly has time to do more than glance at the mountain of review copies that arrives in the mail each week, the joy of discovery is not totally lost to me. So thank you ChiZine Publications, for turning me into a fanboy again. I'm glad you're here, and I'm glad I found you. I hope many others do likewise, and that you prosper for many years.
Chizine Press continues to hit the mark. I don't know what's in the water up in Canada, but it's turning out some great writers, and CZP is finding and publishing them with amazing alacrity. If I could subscribe to a publisher like a magazine or a book club—one flat annual fee to get everything they publish—I would subscribe to CZP. I think the only U.S. imprint I would say that about is Orbit, and CZP is just a touch better at hitting the literary-and-deeply-creepy mark that I love so much.